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The French "Club des poètes" maintains a web page for Apollinaire. Another site devoted (emphasis on devoted) to his work is at this address. Click here to hear Apollinaire reading "Le Pont Mirabeau". One of the most famous of Apollinaire's works is this ideogramme:  Further Reading Bates, Scott. Guillaume Apollinaire. Boston: Twayne Publishers, 1989. Berry, David. The creative vision of Apollinaire: a study of imagination. Saratoga, CA: Amna Libri, 1982. Bohn, Willard. Apollinaire and the international avant-garde. Albany: State University of New York Press, 1997. -- Apollinaire, visual poetry, and art criticism. Lewisburg: Bucknell University Press, 1993. -- Apollinaire and the faceless man: the creation and evolution of a modern motif. Cranbury, NJ: Associated University Presses, 1991. Cornelius, Nathalie Goodisman. A semiotic analysis of Guillaume Apollinaire’s mythology in Alcools. New York: P. Lang, 1995. Hicken, Adrian. Apollinaire: cubism and orphism. Burlington, VT: Ashgate, 2002. Mathews, Timothy. Reading Apollinaire: Theories of Poetic Language. Manchester, UK: Manchester University Press, 1987. Webster, Michael. Reading visual poetry after futurism: Marinetti, Apollinaire, Schwitters, Cummings. New York: P. Lang, 1995. The image at the left is adapted from a photo of the Seine taken by Sally Floyd and visible on her home page. |